WEEK 07: Midterm

The midterm is in two parts and these can be completed and submitted any time up to the due date.

Part one: Multiple choice

The first part consists of 10 multiple choice questions, similar to the ones you have been answering on the quizzes. You will have 20 minutes once you begin. Topics you should review and make sure you understand before taking the quiz:

Cultural Appropriation

Plagiarism
Variations on a theme
Cover version
Parody
Remix
Sampling
Medley
Mashup

Viral vs meme vs image macro
Meme Shells®
Nowjacking®
Retromania®
Equivocal Irony

Avant-garde
Dadaist photomontage
Readymades
Pop Art
Appropriation Art
Minstrel shows
Travesty
The politics of self-representation
Jes' Grew®
Vanillization®
Commodification
The British Invasion

Producer music
Glenn Gould: The Audience as Artist
Dub
Riddims
Kool Herc's "merry-go-round"
Grand Upright Music ltd vs Warner Bros. Records Incorporated
How hip hop changed after it started getting recorded
How sampling changed after you had to start paying to do it

Performance abduction®
Identity appropriation®
Deep fakes
Postmodern decontextualization

Part two: written answer

(10 marks) – Choose one of the four numbered sets of related topics below.

Discussing all of the terms and ideas, tell me everything that you’ve learned in this class, plus anything else you know and what you personally think and feel about them. Be sure to give specific examples, mention any relevant names and dates, and refer to any other tie-in topics from the first half of the course. Use your own words. Avoid plagiarizing words from my site or the Internet without understanding them. Use complete sentences that show you understand the logical and historical connections accurately, and how I have presented them in this class. (Do not use bullet points.) Feel free to add other things you know and your own thoughts and opinions, but your mark will be based primarily on your full and accurate understanding of what I’ve taught in the lectures and on my site, and your thorough response to all of the parts of the topic you choose.

Before writing your answer you should read the written version of the lesson relating to the topic you have chosen.

You should probably write between 400 and 800 words. More is fine. I'm not looking for a certain number of words, but for a certain amount of understanding of what I taught - as well as accurate and clear details - in what you write. Spell people's names correctly. Write a draft, put it aside, and re-read it and edit it before you submit it. Don't let Microsoft Turd® do your proofreading for you. Compose it in a word processing program and save a copy in case anything goes wrong with Blackboard.

This is not an "essay" and I do not encourage you to do outside research. If you want to quote something, just make sure you make it clear you are quoting and how I could find the source if I wanted to. I will not be marking on style, form, or APA referencing, but you should edit your answer and make sure it is clear and comprehensible.

Again, your mark will be based on how full and accurate your understanding of the material I taught seems to be, as reflected in your answer. Do not over-plagiarize my lessons and do not look for answers on the Internet. The answer is in my lesson and your understanding of it.

Please write on ONE and ONLY ONE of the topics from the list below.

Tell me everything you have learned in this class about ONE of the following:

  1. [Week 03] The Avant-Garde and its innovative uses of appropriation - examples of Appropriation in the avant-garde art of the 20th century. I talked about Dadaist photomontage, Readymades, Pop Art, and 1980s Appropriation Art. Give at least two examples of artists from at least to of these movements that used appropriation, what they appropriated, and how/why they did it).
  2. [Week 04] Travesty and Minstrel Shows; the politics of self-representation; cultural appropriation and African American music, including the white appropriation of jazz, vanillization, and the British Invasion
  3. [Week 05] Forms of appropriation in Jamaican music (dub and riddims),  and how the Jamaican scene of the 60s and 70s relates to early hip hop and to the history of remix in the strict sense. How appropriation worked in early hip hop and how recording changed that culture. The evolution of sampling in hip hop.
  4. [Week 06] Performance Abduction, Identity Appropriation, and Postmodern Decontextualization - explain each in detail, give examples, and provide your own thoughts

[NOTE: If you aren’t sure how to talk about the topics to show your knowledge, understanding, and thought about them, think about answering the questions below, accurately and clearly.

  • What do these terms mean, as defined in this class? (You can also add outside knowledge you have of them, but start with what Jim said)
  • What is their history; when were/are they happening?
  • What names can you associate with them?
  • What examples can you give? What stories do you remember?
  • Why do you think Jim told you about them?
  • What other concepts or stories from the first half of this class relate to this topic?
  • How do they relate to the overall subject of this class? Do they give you anything to think about in terms of your own creative project?
  • What do you think and feel about them personally?
  • Is there anything Jim didn’t talk about with regard to them that you think he could or should add to his discussion?]